A Topography of Sound (2019 / 2025)
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A set of eight subtle field recordings that accompany A Topography of Sound, a collection of hand-drawn maps and diagrams. It features minimal representations of landscapes, both real and imagined where diagrammatic markers, text, and traditional cartographic symbols are largely absent.
Domestic Electromagnetic Fields (2024)
Using electromagnetic coils to trace the invisible contours of various domestic appliances and gadgets in the home.
Twelve track album available through the Sonic Art Research Unit. ​
Disturbance SD-50D V3.00 SA51-A V1.1 (2022)
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Two watercolor and LazerJet illustrations published in Senses and Society Volume 19, The Aesthetics of Tinnitus special issue.
Selected Field Recordings (2023 - ongoing)
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Public domain (CC0) field recordings some of which are remastered from the Aporee Sound Maps. Also available from Internet Archive.​​
Low Frequency Basic Waves (2019)
​A set of eight copperplate etchings printed on Japanese ganpi-shi. (#6 pictured)
Dear Ryoko (2019)
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​12 track album, performance and set of 24 postcards.
Ryoko Akama and I exchanged postcards every month for one calendar year. Each postcard described our changing auditory landscape. Our intention being that the receivers would actualize the correspondences sonically, unfurling the documentation of the observed into the imagined.
Chance Encounters (2022 - ongoing)
Transient field recording, noise, experimental composition and poetry mixtapes as a form of research and development. Updated during term time.
Listening Point (2016 - ongoing)
Aluminum P519/RA1 signs installed in various locations.